TABLE OF CONTENTS
ESSAYS
ANTHROPOLOGY ON SCREEN: LUIGI PIRANDELLO, VIRGINIA WOOLF
Nicoletta Pireddu, pp. 13-31
A DIFFERENT LEONE: FROM MEMMO TO LEONE
Enza De Francisci, pp. 33-48
SISTER ARGUMENTS: PIRANDELLO’S “SHOOT!” AND THE BIRTH OF FILM
Joseph Luzzi, pp. 51-69
PIRANDELLO’S MOTHER: FEMININE PERCEPTION AND DOUBLE VISION
Michael Subialka, pp. 71-95
A CONVERSATION WITH MY MOTHER, BY LUIGI PIRANDELLO
Translated by Miriam Aloisio and Michael Subialka, pp. 97-107
PIRANDELLO AND LIOLÀ: SON OF CHAOS
Tanya Ronder, pp. 109-113
PERFORMANCE REVIEWS
LIOLÀ at the National Theatre, London
Jane House, pp. 115-120
S16 – LUNA NERA by Pioneers Go East Collective
Artistic Director, Gian Marco Lo Forte in conversation with Stefano Boselli, pp. 123-129
A GIANT SUCCESS: A STAGED READING OF THE GIANTS OF THE MOUNTAINS (The Gallery, Theaterlab, NYC, October 15, 2013 )
Samantha Costanzo Burrier, pp. 131-137
(Un)–JUST LIKE THAT–Pirandello’s Brush with America’s Scalding Pot
Carlo Giuliano, pp. 139-144
BOOK REVIEW
Umberto Mariani. LA DONNA IN PIRANDELLO. L’ESTREMA VITTIMA. Caltanissetta-Roma: Salvatore Sciascia Editore, 2012.
Chiara Mariani, pp. 147-150
PLAY SCRIPT
HOMELAND SECURITY
Mimi Gisolfi D’Aponte, pp. 153-165