TABLE OF CONTENTS
ESSAYS
ENCOUNTERS AND BLIND SPOTS: PIRANDELLO, EVREINOV, AND BRECHT
Elisa Segnini, pp. 11-36
TRANSFORMING IDENTITY: SELF AND PERSONA IN LUIGI PIRANDELLO’S IL FU MATTIA PASCAL
Sylvia Hakopian, pp. 39-66
THE CRISIS OF SIGNS AND REPRESENTATION IN LUIGI PIRANDELLO’S TRILOGY
Agnès Dengreville, pp. 69-93
A BAT TIMES TWO: IL PIPISTRELLO, LUIGI AND STEFANO PIRANDELLO’S CINEMATIC PROJECT, FROM STAGE TO URBAN SCENE
Marialaura Simeone, pp. 95-114
PERFORMANCE NOTE AND EXHIBITION REVIEW
DIRECTOR’S NOTE: STAGING ‘MIRROR-STRUCTURES’ IN SIX CHARACTERS IN SEARCH OF AN AUTHOR
Anna Gordon, pp. 117-129
DOUBT AND DISTANCING FROM FRAMES TO SHAPES: FAUSTO PIRANDELLO’S ECLECTIC PAINTINGS EXHIBITED IN LONDON (ESTORICK COLLECTION, JULY 8 - SEPTEMBER 6, 2015)
Matthew Mild, pp. 131-133
BOOK REVIEW
Carlo Di Lieto. LUIGI PIRANDELLO PITTORE. Venice: Marsilio, 2012.
Lisa Sarti, pp. 135-139
CREATIVE WORK
DIALOGO IMMAGINARIO TRA LUIGI PIRANDELLO E IL FIGLIO FAUSTO / IMAGINARY DIALOGUE BETWEEN LUIGI PIRANDELLO AND HIS SON FAUSTO
Luciana Grifi, translated by Daniela Bini, pp. 140-162