TABLE OF CONTENTS
ESSAYS
APPROXIMATION OF NIRVANA: FROM INTELLECTUAL SPECULATION TO ZEN NON-PHILOSOPHY IN PIRANDELLO’S UNO NESSUNO E CENTOMILA
Enrico Vettore, pp. 13-29
THE BIRTH OF PIRANDELLO’S TRAGEDY: NIETZSCHE IN THE MOUNTAIN GIANTS
Francesca Facchi, pp. 31-55
IN CONVERSATION
DACIA MARAINI ON LUIGI PIRANDELLO
Dacia Maraini in conversation with Lisa Sarti, pp. 57-64
“I’M AS OBSCURE AS PIRANDELLO IS FAMOUS”: AN INTERVIEW WITH PLAYWRIGHT HOWARD COLYER
Howard Colyer in conversation with Lisa Tagliaferri and Michael Subialka, pp. 67-71
ADAPTING PIRANDELLO: ADAM SIEGEL, TRANSLATOR AND ADAPTOR OF LA PATENTE FOR THE ART THEATRE OF DAVIS, MAY 2016
Adam Siegel in conversation with Michael Subialka, pp. 173-79
A CONVERSATION WITH DIRECTOR GABRIELE LAVIA: A PIRANDELLO TRILOGY FOR A WORLD WITHOUT TRAGEDY
Gabriele Lavia in conversation with Jana O’Keefe Bazzoni, pp. 81-96
PERFORMANCE REVIEW
WRONG END OF THE TELESCOPE: A PIRANDELLIAN ADAPTATION ACROSS TIME AND GENDER
Stefano Boselli, pp. 99-101
BOOK REVIEWS
Alberto Godioli. LAUGHTER FROM REALISM TO MODERNISM: MISFITS AND HUMORISTS IN PIRANDELLO, SVEVO, PALAZZESCHI AND GADDA. Oxford, Legenda, 2015.
Roberto Bonci, pp. 103-106
Dario Tomasello. EDUARDO E PIRANDELLO: UNA QUESTIONE “FAMILIARE” NELLA DRAMMATURGIA ITALIANA. Rome: Carocci Editore, 2014.
Laura Lucci, pp. 109-115
CREATIVE WORK
BEST LAID PLANS (Winner of the PSA prize for original one-act play)
Judd Lear Silverman, pp. 117-154
WRONG END OF THE TELESCOPE
Adam Esquenazi Douglas, pp. 157-166
THE MAN WITH THE FLOWER IN HIS MOUTH: A CREATIVE ADAPTATION FOR THE CLASSROOM
Paola Basile, pp. 169-185